Monthly Archives: March 2015

Week 9

I enjoyed reading these brief articles, they raise interesting points and call to attention important issues in this field.

First, the natural debate between the “I code, you code, we code…Why Code?” and the “Learn to Code; Learn Code Culture” articles. The idea that coding is a skill that must be learned for the legitimacy of the work has apparently inspired some debate. Personally, I believe that the Luddite view, to use the author’s words, that not knowing everything about coding is ok, is the minimum involvement necessary. For a digital humanist, at the very least, one needs to understand the concept, and at least enough of the technical aspect to facilitate being properly informed about new practices and developments in the field. And, not that everyone always has to learn everything there will ever be to know, but I also believe that learning as much of the technical skill and culture as possible can only be beneficial. The technical part of digital projects could only be limited, their effectiveness stunted by limited understanding. Collaboration is and will remain to be an important aspect of the digital humanities, but expanding the knowledge and skill base of each individual can only help the field, not hurt it.

Now, concerning the “Some things to think about before you exhort everyone to code” article, this proves exactly why learning the culture of coding is important. Based on my very limited involvement with CIS people, I had no reason to believe that there was such a large gender gap in the world of coding. In conversations and discussions since reading this article, I’ve learned that my experience is atypical. As strange as it sounds, I wouldn’t have known that, it was necessary to avoid sticking solely to the technical readings so that I may understand the world those technical skills are used in. And, it presents a possible future study: women’s digital history, an examination of the gender gap in the world of coding in general or the digital humanities specifically.

My Project

For my project, I’d like to use what we learned in the XML and CSS course to build a site with a table for organizing court cases related to censorship and obscenity trials. I figure information can be organized and sorted by plaintiff, defendant, date or year, whether the decision was a state or federal one (or foreign one, in one case), and whether the case was overturned by a later case. I would like to include links to brief summaries of the case histories (this is a history project after all). To give an idea of how many cases I’m thinking of using, the following have been among the most notable in previous research. They are presented in chronological order. Thoughts?

Regina v. Hicklin (1868) (English case)

Dunlop v. US (1897)

Mutual Film Corporation v. Industrial Commission of Ohio (1915)

Winters v. New York (1948)

United States v. Paramount Pictures, Inc. (1948)

Joseph Burstyn, Inc. v. Wilson (1952)

Gelling v. Texas (1952)

Alberts v. California (1957)

Roth v. US (1957)

Jacobellis v. Ohio (1964)

Freedman v. Maryland (1965)

Ginzburg v. US (1966)

Ginsber v. State of NY (1968)

Miller v. California (1973)

FCC v. Pacifica Foundation (1978)

Week 9 Readings

These readings constituted a  peek into coding culture as experienced by digital humanists.

Ghajar

It seems Ghajar’s main point is that historians are always going to want context in relation to their digital projects. Just learning to code isn’t a destination in itself, but the historian who wants to be involved in the digital humanities will need to know the why of the tools, not just the how. Why should we be able to design a database, or write code for a project? What are the possibilities in collaboration with web developers, and why would we collaborate in the first place? Why does learning to code affect our methodologies, or become a new methodology to use?  I always say, if I understand why, it helps me understand how.

Wildner

I think Wildner wants people to understand there is a culture which goes along with coding.  Coding is a language, there are ideals, and a lifestyle  just like any foreign culture.  It’s not just syntax, grammar and vocabulary.  There are also shortcuts and best practices that help digital humanists use their time productively if they are involved in coding, so it pays to understand the culture.  In our class discussion we agreed that it made sense for liberal arts people to be familiar with technology and digital culture, because everyone else must be familiar with humanities as a core part of education.  So, coding literacy would be one way to have liberal arts/humanists get familiar with digital technology and culture.  I think that is a great idea and would go a long way towards bringing together science and liberal arts, which we have blogged about before.

Posner

Posner addressed the issue of exhorting women to code.  She agreed that coding is a good skill to have, but she also talked about the reality of the coding culture which is made up of “middle-class white men” who have had greater access to technology, for far longer than women, in the first place. I don’t know what else to say about it, but gender struggles in technology fields are a problem throughout society.  Posner really wants that part of technology culture to change, to be more welcoming to diversity.  Of course I agree.

Scratch Tutorial Videos

As you practice with Codecademy and MIT’s Scratch, I thought these tutorial videos might come in handy. Remember, on Monday, we’ll be showing off our ridiculous Scratch program, and explaining why our cat is behaving the way she/he is based on the instructions we’ve given him/her.

If you join Scratch, you’ll be able to save your workspace to show it off on Monday.

https://scratch.mit.edu/help/videos/

Week Nine

Coding is a topic which I have mixed emotions about.  This set of articles explain the difficulty of coding as a historian and highlight the importance of embracing the “culture of coding” with a humanist stance in mind.  In terms of “learning code for the sake of coding, Cafferata suggests that “As decontextualized rote response mechanisms, they are retrograde pedagogical steps in an era when critical thinking ought to be a hallmark of educational effectiveness.”  This seems to be important not just to coding, but to understanding the role that we, as budding digital historians, should play in developing our profession.

I have been guilty of the attitude expressed by Widner; I have considered digital history, and coding in particular, a “necessary means to an end”, and this has left me feeling a dislike and even a philosophical push against the digital humanities.  We have been told we must code in order to save our profession.  What if we opened ourselves to using code to our own ends and not the pragmatic ends of the academy (that needs to increase their revenue and student body)?  What if we looked at it as fun and exploratory?

Codecademy

Wow this has been way easier than I thought it would be. The lessons have been pretty basic though, so we will see how it goes when they get more complicated. So far it has been fun to see how coding changes fonts, colors, backgrounds, alignment. It seems pretty logical. I like that.  Tables were fun!

My project

I would like to focus on Elizabeth I’s propaganda or at least her rhetorical style.  I would like to do this through text mining to see where there are similarities in topic and rhetoric and whether/how they change over the course of her reign.  I will be using her speeches from “Collected Works” to do this.

I am not sure how long this will take, but if that is not enough work I would like to then relate these patterns to established historiography.  Do the patterns make sense for the periods outlined by historians?  If there are deviations is that a consequence of the way in which the computer/I mined the text or is that a consequence of something historians have missed.

If I can accomplish both of these things perhaps I would be able to leave off with some interesting research questions as well as a greater grasp on digital methodology.

Week 7

The readings were pretty technical this week and were, I admit, over my head.  The idea behind XML and library use seems interesting; if all metadata must meet certain codes for compatibility then that takes away institutional quirks and/or bias that has marked archival work.  On the other hand, this makes the ability to interpret sources difficult as well; the archivist, like the historian, should have some sort of right to organize information according to standards, but with a sense of individualism.

Walsh states that, “The act of encoding a document is a form of discovery, or prospecting, in which the encoder maps a document’s structure, identifies semantic elements of interest, and documents relationships internal and external to the document.”  This is an interesting way to see encoding, and I think I have to remind myself of this.  While working with webdesign (did I mention I love this) or databases I have felt disconnected from the “doing history” part of the process, however, it is important to note that these digital tools are a part of the process. The use of digital tools force the historian to explore the document in new ways.  Comic books are an interesting way to discuss the implications of this because they use small amounts of text coupled with images.

 

Week six- Meta to my MetaData

Kramer

This week’s readings were interesting as they explored the implications of digital history on the way we view our profession.  Kramer suggests that perhaps “all” that historians do is add meta to metadata.  While at first I found this insulting, eventually I saw the value of this label.  History adds information to/about the primary source documents.  What we do is analysis and by placing the historian and the archivist together in this way the act of “doing” history becomes more clearly defined and accessible.

The historiography is where Kramer runs into trouble.  I do not believe that the entire historiography of a source can be placed into a primary source and be understood.  Perhaps arguments and counter arguments could be layered into the system; for instance, full access for people who would find that meta useful and common access for the average person who can not, without training ,understand the implications of what he/she is looking at.

Olsen and Argamon

Text mining is an interesting concept which seems filled with both problems and solutions.  When a historian works with primary sources they are limited in the number of texts they can use for any given project.  A computer is not human, therefore it can sort through many documents much more quickly which means faster work with a more complete body of sources.  This sounds like it would be extremely helpful in the humanities, but a computer is not human.

A computer can not understand the text it reads, it can not place value in circumstances and it can not feel the era it “reads”; a computer only recognizes symbols and their recurrence in a particular set of data. As Dr. Church said, it is difficult for the computer to mine symbols and metaphors in primary source documents.  This is a red flag on the use of text mining, because it is limited in scope;  the historian can view patterns through it, but computers have a limited capacity–perhaps this is comforting.

The article suggests that one goal of text mining is to make very large data sets “manageable and meaningful”.  In this pursuit, I believe that text mining provides the ability to organize and work with a large set of primary source documents, however, it does not provide meaning.  Meaning comes from human ability to grapple with data.  Meaning comes from the interpretation of the historian.  Text mining can lead the professional to explore different research questions and broaden his/her ability to work with sources, but can not be relied upon to give meaning to sources.

Idea for Space History

In my main field of research, I am looking at the way outer space is viewed/handled in Soviet and U.S. culture in the 20th century. For instance, what happened in U.S. culture between the 1960’s and the 1970’s to change people’s perception of outer space conquest from admirable to unnecessary? How is this reflected in culture?  How could I use digital tools to research these questions and represent the answers digitally?

From discussion with our class instructor, Dr. Church, I will find primary sources in public media such as newspaper articles and Time magazine archives; government sources such as NASA archives, State of the Union addresses etc.  Text-mining, web-scraping and Python were mentioned. These are all tools and techniques that I will be learning in the next several weeks.   I am excited to see how it all turns out.